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Intersectionality From the Perspective of Feminist Activist Collectives in the Czech Republic
Dařílková, Linda ; Kobová, Ĺubica (advisor) ; Kolářová, Kateřina (referee)
Intersectionality is a topic that resonates with feminist activist collectives in the Czech Republic. Half of the collectives included in this research publicly identify as intersectional, while most of the remaining collectives identify with intersectionality at least to some extent. However, intersectionality is a complex theoretical concept, and one can ask how the collectives understand intersectionality and how they translate it into their practice. Much of the interviews revealed that discursive approaches to intersectionality are driven by an ethos of social justice, i.e. a better world for all. This implies an appeal to inclusivity, which was differentiated in several interviews between inward and outward inclusivity. Outward inclusivity was manifested by including more areas of social justice in the discourse and actions of the collective. At the discursive and practical level, I identified other, equally important, approaches to intersectionality, which I describe in this thesis. Intersectionality, in relation to the actual self-identification of collectives, also expresses an effort to distance oneself from exclusionary strands of feminism or activism in general, and in this respect intersectionality can also take on a normative character. Despite the research participants' largely (but...
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Gender Analysis of Christian Magazine IN! - dívčí svět
Macháčková, Anna ; Knotková - Čapková, Blanka (advisor) ; Jiroutová Kynčlová, Tereza (referee)
The thesis presents a qualitative gender analysis of a Christian girls' magazine "IN! - dívčí svět" and explores how femininity is constructed in the magazine and how the results of the analysis can be interpreted using feminist theology. An important starting point of the thesis is the belief in the existence of asymmetric power relations. The study of the literary-media text, thus, allows showing whether the power relations are strengthened or subverted through it. The main analytical category of this thesis is gender. In the theoretical-methodological part, the basic concepts and methods used during the analysis are presented. In the analytical part, the method of resistant reading and critical discourse analysis is used. The analytical part consists of fifteen selected texts. Finally, the collected data are summarised.
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The Discourse Analysis of "Mamet Speak": The Display of Power in Language and the Limits of Language
Skřivanová, Martina ; Kladný, Tomáš (advisor) ; Ivan, Michal (referee)
This master's thesis analyses the following plays by contemporary American playwright, David Mamet: Oleanna (1992) and Glengarry Glen Ross (1983). The thesis deals with the discourse that was used and the question of the characters' power relations, which are examined from a sociolinguistic point of view. Firstly, the thesis defines power relations according to Michel Foucault and shows that communication can serve as an instrument of how to act upon others. The thesis is primarily based on the theory of Deborah Tannen, who observes the ambivalent nature of solidarity and power, and introduces her five areas of interest: indirectness, interruption, silence versus volubility, topic raising and verbal conflict. The thesis examines a selection of dialogues from the plays in order to elucidate how these aspects further influence the actions and behaviour of the characters, and explores the effects of the utterances including the effects of power. The thesis also deals with the question of failure of communication, which is examined from the perspective of Roman Jakobson's functions of language, Paul Grice's cooperative principle and Geoffrey N. Leech's politeness principle. Key Words Mamet, Oleanna, Glengarry Glen Ross, discourse, power, power relations, failure of communication
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Transformation of Power and Social Control: The Concept of CSR and Its Market Use
Repická, Barbora ; Navrátil, Jiří (advisor) ; Deverová, Lenka (referee)
ANOTATION The theoretical thesis should point out the development and transformation of power, its mutual relationships and social control, all through discourse analysis of political practice of corporate social responsibility (CSR). Except of other theoretical thinkers, for example later Nikolas Rose, Michel Foucault mostly contributed to these phenomenons. Because power is socially constructed phenomenon and it depends on particular context, we are going to follow development and transformation of power on the concept of CSR. Concept of CSR will give us the frame for this analysis and helps us to recognize moments in CSR practices where the Foucault's model of governing, the concept of power and knowledge, discursive and disciplination practices are present. Also Rose's concepts of market texhniques and rise of new subject and subjectivity. These terms help us to cover economical and market practices on the background of firm's social and enviromental responsibility. KEY WORDS Corporate social responsibility, power relations, social control, disciplination, discoursive practice, subject of consumption, discoursive analysis
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Anton Jasusch. The Artist as a Device of Power Relations
Kvočáková, Lucia ; Lahoda, Vojtěch (advisor) ; Rakušanová, Marie (referee)
Diploma thesis examines how the artist and his work can become a device of power relations illustrated by the example of one artist - Anton Jaszusch. The context of his work has changed several times over time, changing the interpretation of his work. Changes of the context were indirectly influenced by the political - social situation, which affected also the inclusion of his work in the canon of modern art in Slovakia. The thesis closely reviews the literature on the history of art from the period of the first Czechoslovak Republic until now. This review inquires the emergence and development of the phenomenon of Košice modernism and adoption of Anton Jaszusch as its leading artist. The work also analyzes available documents (periodicals, catalogs, articles and publications) in detail to refer to the aforementioned changes in the context of Jaszusch's work and its position as an device of power relations. The thesis examines the documents from three periods related to shifts in the context of Jaszusch's work. It begins in mid-twenties when an exhibition of Jaszusch's post- war series of paintings in Bratislava sparked controversy about "Slovakness" of his work. Then it continues in the Second World War period, when Košice belonged to the Kingdom of Hungary and Jaszusch was presented as...
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Selected aspects of the production of embodiment in tv commercials
Kurucová, Natálie ; Charvát, Martin (advisor) ; Řehořová, Irena (referee)
Thesis Selected aspects of the production of embodiment in tv commercials works with an assumption that some tv commercials represent specific modality of discursive mechanisms of sexual representation. This thesis applies the works of M. Foucault and P. Bourdieu to semiotic analysis of chosen advertisements. Assuming that advertisements are using body and sexual motives as one of the instruments of power to affect the target groups. Main focus of this thesis is in introduction of discursive models that are used in advertising. Goal of the theoretical part is to introduce philosophical and sociological ideas and theories relating to perception of physicality, sexuality, power relations and question of subjectivism. The thesis also shows how the role of a body was perceived in different historicals eras and how the ways of use of body and embodiment has gradually developed in terms of power affection. Goal of the practical part is to analyze and interpret the acknowledgments from theoretical part on concrete examples. The aim is, by using semiotical analysis, to reveal discursive practices in advertisements based upon used statements, also to analyze the power affection presented by physicality and sexuality. The thesis presents examples of power affection of advertisements and its specific...
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The Discourse Analysis of "Mamet Speak": The Display of Power in Language and the Limits of Language
Skřivanová, Martina ; Kladný, Tomáš (advisor) ; Ivan, Michal (referee)
This master's thesis analyses the following plays by contemporary American playwright, David Mamet: Oleanna (1992) and Glengarry Glen Ross (1983). The thesis deals with the discourse that was used and the question of the characters' power relations, which are examined from a sociolinguistic point of view. Firstly, the thesis defines power relations according to Michel Foucault and shows that communication can serve as an instrument of how to act upon others. The thesis is primarily based on the theory of Deborah Tannen, who observes the ambivalent nature of solidarity and power, and introduces her five areas of interest: indirectness, interruption, silence versus volubility, topic raising and verbal conflict. The thesis examines a selection of dialogues from the plays in order to elucidate how these aspects further influence the actions and behaviour of the characters, and explores the effects of the utterances including the effects of power. The thesis also deals with the question of failure of communication, which is examined from the perspective of Roman Jakobson's functions of language, Paul Grice's cooperative principle and Geoffrey N. Leech's politeness principle. Key Words Mamet, Oleanna, Glengarry Glen Ross, discourse, power, power relations, failure of communication
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Analysis of power relations and gender stereotypes in writings of Gabriela Preissová - Gazdina roba and Její pastorkyňa
Konopáčová, Zuzana ; Knotková - Čapková, Blanka (advisor) ; Matonoha, Jan (referee)
This thesis discusses the conception of power relations and gender stereotypes in Gabriela Preissová's literary masterpiece - Gazdina roba and Její pastorkyňa. The analysis employs the concept of power as an analytical categoryand draws on Michel Foucault's theories. The thesis further examines the discourse in which the main characters find themselves. The analysis of male and female characters focuses on the position of the main character and also on the ways in which female protagonists become influenced by their male partners. Selected characters are also interpreted by using Foucault's concept of bio-power and a special attention is paid to the subject type of homo oeconomicus. The thesis attempts to answer the question, whether the discussed literary characters are "disciplined bodies", or whether they embody a subversion of the (gender) system. Part of the text is also dedicated to the comparison of male and female characters in both Preissová's works as to whether they do or do not comly with traditional images of "masculinity" and "femininity" (and related gender stereotypes), or how many of them represent resisting or (in the case of some female protagonists) collaborating entities. Possible interpretations of the characters' inner drive in this regard are also offered. Key words:...
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